Buy it from Amazon
First Written | 1857 |
Genre | Fiction |
Origin | UK |
My Copy | little pocket hardback, then bought a hardback set for all the barchester books. |
First Read | May 28, 2018 |
Barchester Towers
I've been trying to describe the pleasure of reading Trollope, and one way to compare it is the same way I felt about Downton Abbey. I don't really care who gets married or inherits the money, who has their way about organizing the village fair, if this misunderstanding between the butler and the footman ever gets resolved - but the characters are charming enough, and the acting and writing is so good that its a pleasure to watch this craft so well done.
Trollope's books are so leisurely - the just sprawl out for hundreds of pages, and they're absolutely NOT a slog. They're designed to simply pleasantly pass the time with. That's not to say Trollope doesn't have anything else to recommend him as an author: he's really funny, he's an amazing observer of behavior, and his authorial insertions are kind of astounding.
Noted on July 23, 2018
The sorrows of our heroes and heroines, they are your delight, oh public!—their sorrows, or their sins, or their absurdities; not their virtues, good sense, and consequent rewards. When we begin to tint our final pages with couleur de rose, as in accordance with fixed rule we must do, we altogether extinguish our own powers of pleasing. When we become dull, we offend your intellect; and we must become dull or we should offend your taste. A late writer, wishing to sustain his interest to the last page, hung his hero at the end of the third volume. The consequence was that no one would read his novel. And who can apportion out and dovetail his incidents, dialogues, characters, and descriptive morsels so as to fit them all exactly into 930 pages, without either compressing them unnaturally, or extending them artificially at the end of his labour? Do I not myself know that I am at this moment in want of a dozen pages, and that I am sick with cudgelling my brains to find them? And then, when everything is done, the kindest-hearted critic of them all invariably twits us with the incompetency and lameness of our conclusion. We have either become idle and neglected it, or tedious and overlaboured it. It is insipid or unnatural, overstrained or imbecile. It means nothing, or attempts too much. The last scene of all, as all last scenes we fear must be,
Is second childishness, and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
I can only say that if some critic who thoroughly knows his work, and has laboured on it till experience has made him perfect, will write the last fifty pages of a novel in the way they should be written, I, for one, will in future do my best to copy the example. Guided by my own lights only, I confess that I despair of success.
Quoted on July 23, 2018
Life is not long enough for such labours. A man in the right relies easily on his rectitude and therefore goes about unarmed. His very strength is his weakness. A man in the wrong knows that he must look to his weapons; his very weakness is his strength. The one is never prepared for combat, the other is always ready. Therefore it is that in this world the man that is in the wrong almost invariably conquers the man that is in the right, and invariably despises him.
A man must be an idiot or else an angel who, after the age of forty, shall attempt to be just to his neighbours.
Quoted on July 23, 2018
Few men do understand the nature of a woman's heart, till years have robbed such understanding of its value. And it is well that it should be so, or men would triumph too easily.
Quoted on July 23, 2018
She had not done this, but had shown herself angry and sore, and was now ashamed of her own petulance, yet unable to discontinue it.
Quoted on July 23, 2018
[after four pages of describing Mrs. Thorne's follies] It may be imagined, therefore, that with all her little follies she was not unpopular. All her follies have, we believe, been told. Her virtues were too numerous to describe, and not sufficiently interesting to deserve description.
Quoted on July 23, 2018
[art criticism]
"It is so easy to condemn," said he, continuing the thread of his thoughts. "I know no life that must be so delicious as that of a writer for newspapers, or a leading member of the opposition—to thunder forth accusations against men in power; to show up the worst side of everything that is produced; to pick holes in every coat; to be indignant, sarcastic, jocose, moral, or supercilious; to damn with faint praise, or crush with open calumny! What can be so easy as this when the critic has to be responsible for nothing? You condemn what I do, but put yourself in my position and do the reverse, and then see if I cannot condemn you."
Quoted on July 23, 2018
"Wars about trifles," said he, "are always bitter, especially among neighbours. When the differences are great, and the parties comparative strangers, men quarrel with courtesy. What combatants are ever so eager as two brothers?"
Quoted on July 23, 2018
He looked on women, therefore, in the same light that one sees them regarded by many Romish priests. He liked to have near him that which was pretty and amusing, but women generally were little more to him than children. He talked to them without putting out all his powers, and listened to them without any idea that what he should hear from them could either actuate his conduct or influence his opinion.
Quoted on July 23, 2018
To say that his object was ever to raise a laugh would be most untrue. He hated such common and unnecessary evidence of satisfaction on the part of his hearers. A joke that required to be laughed at was, with him, not worth uttering. He could appreciate by a keener sense than that of his ears the success of his wit, and would see in the eyes of his auditors whether or no he was understood and appreciated.
Quoted on July 23, 2018
As to Bertie, one would have imagined from the sound of his voice and the gleam of his eye that he had not a sorrow nor a care in the world. Nor had he. He was incapable of anticipating to-morrow's griefs. The prospect of future want no more disturbed his appetite than does that of the butcher's knife disturb the appetite of the sheep.
Quoted on July 23, 2018
[midwest nice]
The great family characteristic of the Stanhopes might probably be said to be heartlessness, but this want of feeling was, in most of them, accompanied by so great an amount of good nature as to make itself but little noticeable to the world. They were so prone to oblige their neighbours that their neighbours failed to perceive how indifferent to them was the happiness and well-being of those around them. The Stanhopes would visit you in your sickness (provided it were not contagious), would bring you oranges, French novels, and the last new bit of scandal, and then hear of your death or your recovery with an equally indifferent composure. Their conduct to each other was the same as to the world; they bore and forbore; and there was sometimes, as will be seen, much necessity for forbearing; but their love among themselves rarely reached above this. It is astonishing how much each of the family was able to do, and how much each did, to prevent the well-being of the other four.
Quoted on July 23, 2018
There is, perhaps, no greater hardship at present inflicted on mankind in civilized and free countries than the necessity of listening to sermons. No one but a preaching clergyman has, in these realms, the power of compelling an audience to sit silent and be tormented. No one but a preaching clergyman can revel in platitudes, truisms, and untruisms, and yet receive, as his undisputed privilege, the same respectful demeanour as though words of impassioned eloquence, or persuasive logic, fell from his lips. Let a professor of law or physics find his place in a lecture-room, and there pour forth jejune words and useless empty phrases, and he will pour them forth to empty benches. Let a barrister attempt to talk without talking well, and he will talk but seldom. A judge's charge need be listened to perforce by none but the jury, prisoner, and gaoler. A member of Parliament can be coughed down or counted out. Town-councillors can be tabooed. But no one can rid himself of the preaching clergyman. He is the bore of the age, the old man whom we Sindbads cannot shake off, the nightmare that disturbs our Sunday's rest, the incubus that overloads our religion and makes God's service distasteful. We are not forced into church! No: but we desire more than that. We desire not to be forced to stay away. We desire, nay, we are resolute, to enjoy the comfort of public worship, but we desire also that we may do so without an amount of tedium which ordinary human nature cannot endure with patience; that we may be able to leave the house of God without that anxious longing for escape which is the common consequence of common sermons.
With what complacency will a young parson deduce false conclusions from misunderstood texts, and then threaten us with all the penalties of Hades if we neglect to comply with the injunctions he has given us! Yes, my too self-confident juvenile friend, I do believe in those mysteries which are so common in your mouth; I do believe in the unadulterated word which you hold there in your hand; but you must pardon me if, in some things, I doubt your interpretation. The Bible is good, the prayer-book is good, nay, you yourself would be acceptable, if you would read to me some portion of those time-honoured discourses which our great divines have elaborated in the full maturity of their powers. But you must excuse me, my insufficient young lecturer, if I yawn over your imperfect sentences, your repeated phrases, your false pathos, your drawlings and denouncings, your humming and hawing, your oh-ing and ah-ing, your black gloves and your white handkerchief. To me, it all means nothing; and hours are too precious to be so wasted—if one could only avoid it.
Quoted on July 23, 2018
Mr. Slope is tall, and not ill-made. His feet and hands are large, as has ever been the case with all his family, but he has a broad chest and wide shoulders to carry off these excrescences, and on the whole his figure is good. His countenance, however, is not specially prepossessing. His hair is lank and of a dull pale reddish hue. It is always formed into three straight, lumpy masses, each brushed with admirable precision and cemented with much grease; two of them adhere closely to the sides of his face, and the other lies at right angles above them. He wears no whiskers, and is always punctiliously shaven. His face is nearly of the same colour as his hair, though perhaps a little redder: it is not unlike beef—beef, however, one would say, of a bad quality. His forehead is capacious and high, but square and heavy and unpleasantly shining. His mouth is large, though his lips are thin and bloodless; and his big, prominent, pale-brown eyes inspire anything but confidence. His nose, however, is his redeeming feature: it is pronounced, straight and well-formed; though I myself should have liked it better did it not possess a somewhat spongy, porous appearance, as though it had been cleverly formed out of a red-coloured cork.
I never could endure to shake hands with Mr. Slope. A cold, clammy perspiration always exudes from him, the small drops are ever to be seen standing on his brow, and his friendly grasp is unpleasant.
Quoted on July 23, 2018
Most active clergymen have their hobby, and Sunday observances are his. Sunday, however, is a word which never pollutes his mouth—it is always "the Sabbath." The "desecration of the Sabbath," as he delights to call it, is to him meat and drink: he thrives upon that as policemen do on the general evil habits of the community.
Quoted on July 23, 2018